DVCulture posted this and we thought it was pretty clever usage of a Canon EOS 5D Mark II(reviews) and a bunch of cardboard. It looks like these young men had fun in the process. Not the world’s greatest movie, in fact, it is mainly just an action sequence, but another fun example of what can be done with a little imagination, a lot of time, and some great tools.
Description from youtube:
The cardboard video is finally finished!!! This took about a month and a half of planning, making cardboard guns, filming, and editing. Sound, effects, editing, and filming by Clinton Jones, aka, pwnisher.
To make this video you need:
- 254 program crashes
- 427 manual frames to rotoscope
- 59 layers of sound effects
- a BUTTLOAD of cardboard and box cutters
- and a katamari
Thank you all, for making this video possible! Couldn’t have done it without you guys!
Special thanks to freddie wong!!!
Here’s a couple of interesting BTS videos about the making of the movie
The deed is done. I hope everyone enjoy the ride as much as we did. Made from PVC pipe, Chicken wire, Zip Ties (900 + to approximate), and Cardboard! The project ran about $450.00.
By, Dave Freeman
Buying an actual tilt-shift lens will run you over $1000, depending on what camera you own. Instead of buying a new or used lens, you can just build your own out of some PVC pipe, hose clamps, rubber hose, and a cheap lens off of an auction site.
San Fransisco resident Bhautik Joshi is on the second build of his custom made tilt-shift lens, the first one was built using a toilet plunger of all things. Regardless of what it was made from, it’s quite impressive to see the finished product. If you can manage to build one of these for yourself, you can start making really cool videos like the one
[via Hack a day]
By: Ty Lowell
License Rental Option Brings Benefits of Sapphire to Broader Range of Adobe After Effects, Apple Final Cut Pro Users
GenArts Inc., the premier provider of specialized visual effects software for the film, television and video industries, announced today a monthly license rental option for its flagship GenArts Sapphire™ visual effects software for Adobe After Effects and Apple Final Cut Pro. The program is designed to offer Sapphire’s entire suite of industry-leading visual effects plug-ins at an extremely affordable cost of entry, thereby providing access to a much broader range of users.
Available immediately, the Sapphire rental program is priced monthly at $169 for the full suite. Customers can prepay an unlimited number of months, and the minimum rental period is one month. Users can also apply up to two months of their rental fees as a credit toward the purchase of a permanent license.
“The Sapphire rental program is ideal for independent artists who work on a project basis. I no longer have to make compromises in my work because of the price of the tools,” said Rob Birnholz of Absolute Motion Graphics, an independent digital media creation studio in Orlando. “Not only do I get access to the highest quality visual effects software used by the world’s best artists, but the flexibility of the rental model makes it far easier for me to assign the cost directly to a particular job.”
Recognized by top studios and post-production houses for its image quality, organic look, speed and intuitive controls, GenArts Sapphire provides more than 200 state-of-the-art image processing and synthesis effects plug-ins. It has been used to create some of the most exciting visual effects in countless blockbuster and Oscar-nominated films. Now, these high-quality visual effects are within reach of many independent filmmakers, freelancers, rental houses, videographers, and even students and hobbyists.
“Visual effects have become essential to the art of communicating and modern-day storytelling. Oscar-winning features such as The Curious Case of Benjamin Button illustrate how the role of visual effects has evolved from pure action and fantasy sequences to becoming a core component of the story itself,” said Steve Bannerman, CMO of GenArts. “Sapphire is widely recognized as a mission-critical tool in the arsenal of many of the world’s best artists and editors, and we’re thrilled to be able to offer its capabilities to a significantly wider range of customers by dramatically lowering the cost of entry.”
Since the company’s founding in 1996, GenArts software has been utilized in hundreds of films, television broadcasts and commercials, including more than 20 Oscar-nominated pieces such as Titanic; I, Robot; Armageddon; Star Wars Episode I, II and III; The Matrix trilogy; The Lord of the Rings trilogy; Pearl Harbor; Spider Man; Pirates of the Caribbean; Harry Potter and the Prisoner of Azkaban; Transformers; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; and many more.
GenArts, Inc. is the premier provider of specialized digital visual effects for the film, broadcast and video industries. The GenArts Sapphire, Monsters and Raptors portfolio equips digital artists with a collection of state-of-the-art image processing and synthesis effects such as: glows, light rays, lens flares, lightning, film damage, fire and fluid effects. The effects seamlessly integrate as software plug-ins into leading editing and compositing systems from Adobe, Apple, Avid, Autodesk, Assimilate, Eyeon, FilmLight, The Foundry, Quantel and SGO. The company was founded in 1996 in Cambridge, Mass. http://www.genarts.com.